Poetry is an artform of language, with its roots firmly within the body – in its fascination with embodied experience and in its incorporation of bodily rhythms. But whose body are we talking about? Apart from the question of male and female bodies, how are bodies that are deformed or unusual treated? Does poetry reinforce a clear line between “human” and “abject”? Or can it complicate our perception of normality?
This was to be the starting-point for my Masters thesis this year. As it turns out, I was accepted into the program but missed out on a scholarship. Since I don’t have a year’s income saved up, I’ve decided I’ll pursue this topic of mine outside of the University. Masters without a Masters. Who knows how long it will take, or if I’ll drop it half-way. But the reading and thinking will be worth it.
My interest in poetry and physical difference is intrinsically linked with my personal experience. I was born with Marfan Syndrome, which has resulted in severe spinal curvature, yet without any significant physical impairment. My own poetry seeks to express the subjective experience of being visibly different, and is in some way an attempt to reverse the usual dynamic of naming and identification.
And, since I don’t want to be doing this “non-Masters” alone, I’ve decided to post short mini-essays on this blog, in a series entitled “Bodies of Poetry”. I’m interested in how non-standard bodies find expression in poetry. Poetic licence of the body. I’d love your feedback, ideas, suggestions, personal stories, rants, whatever you feel fits into the topic, from whatever angle.
My partner and I just recently found a great little shop, upstairs at 381 Sydney Road – Mr Kitly – which has some great books on design, art, architecture, and some gorgeous tea cups and crockery. Yes, very “new Brunswick”. Anyway, we found this book – “Difference on Display: Diversity in Art, Science and Society”.
It’s a mix of artists, film-makers, performers, theorists and activists – Donna Harraway, Tom Shakespeare, Bruce Nauman, William Kentridge, Patricia Piccinini, Louise Bourgeois, Critical Art Ensemble, and a lot more – and it approaches diversity and normality from a huge range of angles. I’m sure it will find it’s way into my thoughts as they emerge here…
Again, yes, any suggestions and thoughts are very welcome, particularly on poets I should read…